Keiko Inagawa pays a visit to neurologist Aizawa about her fiancé Tatsuo Tamura. A mysterious case involving the disappearance of Tatsuo’s three brothers, one after the other, is yet to be resolved and now Tatsuo, seized with the idea that he too may disappear, has had a nervous breakdown. Aizawa suggests that Tatsuo recount his dreams as a means of solving the mystery, since human beings have an instinct that foretells the near future in the form of a dream. Keiko and Tatsuo eventually discover that the three disappearances have a strange connection…
Author: admin
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Play it, Boogie-Woogie
A runaway cat-loving girl begins a love triangle with a reckless older man and a young biker in high school. The film follows their subsequent chaotic relationships.
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Oothikachiya Ponnu
Sukumari, a saleswoman, struggles to run her poor family. Her life takes a turn when she meets a business tycoon, Vishwanathan.
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In the Claws of the CIA
Kung fu champ John is given the chance to train CIA agents in martial arts by using self-hypnosis. But when he discovers the reason, he escapes and the CIA go after him. John must fight for his life all over Europe as he flees the CIA.
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Funny Soldier
Taiwanese movie
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Look of the Money
Hong Kong movie
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Riccardo III
Riccardo III is a theatre play staged in 1977 and also edited for television and aired in 1981, which Carmelo Bene dedicated to his friend Gilles Deleuze, who wrote a book about it before even seeing it. Bene strips down the original Shakespeare play to the core, rejecting plot and characters, leaving on stage only Riccardo III and his ghosts, the female characters. The TV version is characterized by an exstensive use of close-ups and strong light contrast.
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Electric Angel
A typical experimental film, in which a variety of audiovisual techniques are used to create the sense of polymorphic eroticism as developed by European and Mediterranean cinematography of the 20th century. Combining the methods of “animation” and “live action”, this intricate work embodies the idea of an “ars combinatoria”. The structure is loose, with neither a central axis nor a point where everything converges, contributing greatly to the open-ended character of the film, where rhythm is the key element.