Category: Science Fiction

Science Fiction

  • Ben 10: Secret of the Omnitrix

    After a battle with Dr. Animo in a power plant, Ben notices something strange is happening with the Omnitrix but doesn’t tell anyone. Tetrax arrives and tells them the Omnitrix is broadcasting a self-destruct signal. Tetrax and Ben go to find the creator of the Omnitrix to fix it before it destroys itself and the universe along with it. Gwen stows away to help her cousin.

  • Sergeant Keroro The Super Duper Movie 2: Deep Sea Princess

    Another Kiruru appears in the South Pacific, but it was defeated by two unknown entities that look like Keronians, with subtle differences. Meanwhile, Keroro and the gang goes for a trip sponsored by Momoka to a private island. There, an alien named Meru, who claims himself as the prince of the deep sea, captures them, and aims to make Natsumi his princess, and that they had captured Keroro, who pleads to them to assist the Keroro Platoon, only to be kicked out.

  • Dragon Wars: D-War

    Ethan learns he carries the spirit of a warrior who battled dragons in 16th-century Korea — and one day he’ll find a tattooed girl carrying the spirit of that warrior’s beloved. Years later, he meets Sarah and dragons soon descend on Los Angeles seeking out the two souls of the ancient lovers.

  • Genius Party

    The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s “Doorbell” and “Baby Blue” by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

  • Species: The Awakening

    A scientist, Dr Hollander, takes his niece Miranda to Mexico in an attempt to reverse the effects of the alien DNA he used to create her. However the treatment goes horribly wrong, and sets Miranda on a killing spree as she sets out to find a mate.

  • Resident Evil: Extinction

    Years after the Racoon City catastrophe, survivors travel across the Nevada desert, hoping to make it to Alaska. Alice joins the caravan and their fight against hordes of zombies and the evil Umbrella Corp.

  • Tetsujin 28: Morning Moon of Midday

    Japan, ten years after World War II. Boy detective Shotaro solves mysteries and fights crime with the help of Tetsujin 28, the 50-foot tall giant robot left for him by his late genius father. But one day he’s shocked to learn that his father also adopted and raised another boy named Shotaro, now a repatriated soldier. Just as surprising to our young hero is the fact that his “big brother” can also control Tetsujin, even better than he can. But with the emergence of this elder brother comes danger, as a mysterious assassin, Morning Moon, closes in on the boy for being unworthy of controlling the robot. Meanwhile, the capital faces destruction when multiple bombs are discovered, planted by the two Shotaros’ father himself!

  • Area 57

    A comedy about the employees for the U.S. government, who work in a remote facility in the Nevada desert, which houses an alien creature.

  • Aria the OVA: Arietta

    Akari finds herself nervous coaching a new undine as a Prima, until she awakens to find that it is just a dream. To soothe her worries, Alicia recalls stories of her beginnings as a Prima, as well as the memories she made.

  • Superman: Doomsday

    When LexCorp accidentally unleashes a murderous creature, Superman meets his greatest challenge as a champion. Based on the “The Death of Superman” storyline that appeared in DC Comics’ publications in the 1990s.