Category: Movies

  • Beckett Directs Beckett: Krapp’s Last Tape by Samuel Beckett

    Sitting alone on his 69th birthday, Krapp reflects upon the last 30 years of his life as he listens to an old tape recording of himself he made on his 39th Birthday.

  • Searching for Sam: Adrian Dunbar on Samuel Beckett

    Samuel Beckett has fascinated Adrian Dunbar since he was a young student. Now, 30 years after Beckett’s death in Paris, Dunbar explores what made the man who made Waiting for Godot.

  • Beckett Directs Beckett: Endgame by Samuel Beckett

    Hamm is blind and unable to stand; Clov, his servant, is unable to sit; Nagg and Nell are his father and mother, who are legless and live in dustbins. Together they live in a room with two windows, but there may be nothing at all outside.

  • Pitch ‘n’ Putt with Beckett ‘n’ Joyce

    Tensions arise between James Joyce and Samuel Beckett during a game of Pitch and Putt golf when a guest fails to show up.

  • Samuel Beckett: Silence to Silence

    The elusive author of Waiting for Godot cooperated in the production of this portrait, which traces Beckett’s artistic life through his prose, plays, and poetry. Billie Whitelaw, Jack McGowran, and Patrick Magee—Beckett’s great dramatic interpreters—appear in selected extracts from the plays; Beckett specialist David Warrilow narrates a variety of texts.

  • Samuel Beckett: As the Story Was Told

    A two-part biography of the Irish writer Samuel Beckett. The first part covers the traumas of his formative years: his ill-fated love affair with his first cousin, the death of his father, and his decorated service with the French Resistance. He had settled in France before the Second World War, met fellow Irishman James Joyce, and begun writing. Patrick Magee’s television performance of `Krapp’s Last Tape’ (1972) is interwoven with key landscapes and personalities from Beckett’s life. The second part concludes the story of how Beckett finally began to connect with his audience, principally through `Waiting for Godot’. Includes an interview with the actress Billie Whitelaw, a celebrated interpreter of his work.

  • The Beckett Affair

    Rod Cooper, an American agent of the CIA, is sent to Paris to discover if colonel Segura, head of a clandestine organization which proclaims itself anti-Castroist, is playing a double game at the expense of the United States. He first tries to make contact with Ms Beckett, who should tell him. Segura’s intentíons, but the woman is found killed. Subsequently, Rogerson, another American, presents Cooper to Segura himself and so Rod can enter his organization. Here he discovers that the colonel tries to attract a certain number of Americans to use them in an attack against the president of a state of southern America and thus promote communist expansion. Segura soon discovers Rod’s real identity and tries to get rid of him; but the agent manages to reverse the situation and kills Segura in a shoot-out.

  • Film (A Screenplay by Samuel Beckett)

    A man attempts to remain hidden from view from the camera and other eyes.

  • Beckett in Berlin

    A short film by Rosa von Praunheim

  • Beckett by Brook

    With hindsight, we can see exactly how wrong the labels given to Samuel Beckett have been, since it has been said that his writing was sad, negative and desperate. Nowadays, it can be said that several of his pieces submerge us in the reality of human existence, but with an element of humor – and it is this humor that has saved us. Beckett rejects every theory, every core belief, looking for the truth. He observes people amid the darkness and takes them into what is vast and unknown about life, so they can discover their truth by taking a look at themselves and others. Like Beckett, we share their uncertainty, their search, their pain. This theatrical reflection by the masters of European theater, Peter Brook and Marie-Hélène Estienne, incorporates parts of Fragments, a piece premiered in 2008 and filmed in 2015 and which contains the short plays Rough For Theater I, Rockaby, Act Without Words II and Neither.