In this politically charged documentary, survivors of the 1985 attack on the Greenpeace ship the &NFi;Rainbow Warrior&NFi_; recount the vessel’s history and its key role in increasing public awareness of nuclear testing on Mururoa Atoll in the Pacific. What began as a “rusty old ship” became a symbol of Greenpeace’s environmental activism — and eventually attracted the attention of the French secret service.
Category: Documentary
Documentary
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White Man with Black Bread
Christof Wackernagel, best known in Germany as an actor and former member of the Red Army Faction (“RAF”) lives in Mali. In his compelling portrait, Jonas Grosch shows a man who simply cannot stand still if he senses injustice. The courage to stand up for one’s beliefs coupled with vanity? However one chooses to look at it, it is easy to imagine what made him connect with the “RAF”. With his irrepressible will for freedom, Christof Wackernagel gets entangled in the horrors of day-to-day life in Africa.
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My Dear Youth – Coffee Prince
“Coffee Prince”, which made our hearts pit-a-pat in that summer is now back in 13 years! “Coffee Prince” became the most famous drama in Korea with 27.8 percent viewer ratings by delicately portraying the trouble and love the youth go through. The cast of the drama are now actors that represent Korea and they gather again to talk about those days. The cast and the director reunite at the cafe in Seogyo-dong and Buam-dong, the actual filming sites, and share the behind-the-scene stories vividly. We hope “My Dear Youth – Coffee Prince” would be a heartwarming gift for fans who still love and remember “Coffee Prince”.
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The Atlanta Child Murders
While touting itself as a mecca for progressive expansion, early 1980s Atlanta has a dark secret. Over two years, at least twenty-nine black children, teens, and young adults have been systematically abducted and murdered from low income neighborhoods. As the mothers of the victims beg law enforcement to take action, the investigation languishes while the country looks on. Suspects include the KKK, the police and known pedophiles. The nightmare is seemingly over when Wayne Williams, a young black man, is arrested and the majority of the crimes are attributed to him. But was he simply a scapegoat? In this 3-part special we explore the case from those closest to it while highlighting the enduring questions surrounding this tragic chapter in Atlanta’s history.
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Noisey Atlanta
From the makers of Noisey Chiraq, a new 10-part series documenting unprecedented access into the Atlanta rap scene.
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Atlanta’s Missing and Murdered: The Lost Children
This docuseries explores the period between 1979 and 1981 when at least 30 African-American children and young adults disappeared or were murdered in Atlanta, Georgia.
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The Real Murders of Atlanta
Portrayal of the horrifying cases that highlight the boundaries between gentrified Southern dynasties, hip-hop hustlers and the flashy nouveau riche of this metropolitan mecca of music, entertainment and tech. Told by the investigators, witnesses, reporters and loved ones who have direct connections to the cases, each hourlong episode brings Atlanta’s hustle and deadly decadence into sharp focus. It’s the dark side of the New South, where deadly battles for status and affluence emerge between those who are willing to kill for the good life and those willing to kill to keep it.
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POST MORTEM: THE DOCUMENTARY
In this medium-length documentary, which goes through emotional and funny moments, we discover how Post Mortem transcended its condition of being a debut album to become an authentic artistic movement.
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Post Mortem Berlin
“POST MORTEM berlin” shows the choreography of a body’s last journey. We experience the process of a cremation: from the arrival of the coffin to the filling of the ash capsule. The technical and hygienically perfected process of cremation renders the deceased’s last encounter into an industrialized ritual.
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Self Portrait Post Mortem
An unearthed time capsule consisting of footage of the maker’s youthful self – an “exquisite corpse” with nature as collaborator. Bourque buried random out-takes from her first three films (all staged productions dealing with her family) in the backyard of her ancestral home (adjoining the grounds of a former cemetery) with the ambivalent intentions of both safe-keeping and unloading them (she was relocating). Upon examining the footage five years later she found that the material contained images of herself captured during the making of her first film. That discovery seemed handed over like a gift and prompted the making of this film, a metaphysical pas-de-deux in which decay undermines the image and in the process engenders a transmutation.