Tag: asadora

  • Yell

    NHK’s 102nd morning drama depicts the life of a famous composer. Koyama Yuichi with his wife Oto. They meet each other through music and overcome hardships together. Yuichi composes songs that became “Yells” for people all over Japan in the Showa Era (1926-1989) in which radical changes were going on. 

  • Ochoyan

    In the end of Meiji era, Takei Chiyo was born in a poor family in Osaka, and was sent to a theatre tea room as a servant when she was 9 years old. There, she was attracted by the world of theatre comedy. She grows up to be an actor and marries to Amami Ippei , but the war broke out and she was forced to stay away from acting for a while. However, when she comes back again, her acting in a radio drama impresses many people and makes herself one of the leading actors in western Japan.

  • Natsuzora

    Okuhara Natsu was born in Tokyo in 1937. In 1945, she loses both parents to war and becomes an orphan, but her father’s comrade, Shibata Takeo, takes her in and moves to Tokachi in Hokkaido. In an unfamiliar land surrounded by unfamiliar people, Natsu feels lost at first, but surrounded by Tokachi’s vast nature and its strong, yet compassionate people, she grows up to be a strong girl. When Natsu enters elementary school, she meets Yamada Tenyo who draws lovely pictures of horses. Tenyo tells her that in America, animation in which pictures move is becoming popular, Natsu’s curiosity is piqued. Upon graduating high school, Natsu goes to Tokyo to look up her brother, and takes a jump into the world of animation.

  • Scarlet

    Born in 1937 in Osaka as the eldest daughter, Kawahara Kimiko moves to Shigaraki with her family at the age of 9. She works to support her family from a young age. Eventually, she jumps into the male world of pottery and becomes a pioneer of female ceramic arts. After marrying her husband who is also involved in ceramics and owning her own kiln, she raises her two children while struggling to create unique ware.

  • The Tiger and Her Wings

    In the early Showa era, Japan’s first women’s law school opens, and the protagonist, Inotsume Tomoko (Ito Sairi), gains nationwide attention as one of the first female lawyers in the country. However, after facing wartime Japan’s harsh realities and losing everything, she becomes a judge with her legal knowledge and dedicates herself to establishing the family court. She stands passionately for the hardships that politics and economics cannot solve.