a feminist palimpsest of cinematic representation
Tag: woman director
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Tiny Furniture
After graduating from film school, Aura returns to New York to live with her photographer mother, Siri, and her sister, Nadine, who has just finished high school. Aura is directionless and wonders where to go next in her career and her life. She takes a job in a restaurant and tries unsuccessfully to develop relationships with men, including Keith, a chef where she works, and cult Internet star Jed.
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K-20: The Fiend with Twenty Faces
In an alternate version of 1949 Japan in which World War II never happened, the Japanese capital of Teito is home to both an ultra rich upper class and the dirt poor masses. The city is thrown into a state of panic when a phantom thief called “The Kaijin (Fiend) with 20 Faces” (K-20 for short) begins to use his mysterious abilities to steal from the rich and give to the poor. One day a circus acrobat named Heikichi Endo (Takeshi Kaneshiro) is framed for K-20’s crimes and becomes determined to clear his name. He teams up with K-20’s next target, a wealthy duchess named Yoko Hashiba (Takako Matsu) and her detective fiancé (Toru Nakamura), to take K-20 down once and for all.
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K-On! The Movie
With graduation right around the corner, every member of the Light Music Club except for Azusa will be leaving for good. But the girls aren’t going to let something as silly as graduation tear them apart! For their final hurrah, the girls are going on the ultimate vacation tour— all the way to London! Their overseas journey will lead them on a trip of discovery and friendship as they take the stage one last time for their final encore together.
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Crossing Hennessy
Two shopkeepers are set up on a blind date by well-meaning relatives, despite the fact that they both have somebody else on their minds.
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Self Portrait Post Mortem
An unearthed time capsule consisting of footage of the maker’s youthful self – an “exquisite corpse” with nature as collaborator. Bourque buried random out-takes from her first three films (all staged productions dealing with her family) in the backyard of her ancestral home (adjoining the grounds of a former cemetery) with the ambivalent intentions of both safe-keeping and unloading them (she was relocating). Upon examining the footage five years later she found that the material contained images of herself captured during the making of her first film. That discovery seemed handed over like a gift and prompted the making of this film, a metaphysical pas-de-deux in which decay undermines the image and in the process engenders a transmutation.
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Orphans
Orphans is the true story of a forbidden love affair set in the oppressive and violent atmosphere of nineteenth century Mexico. One man, Melchor Ocampo, driven by the twin passions of love and idealism, defies the stain of illegitimacy to shake off the crippling yoke of Spain and the Catholic Church. In so doing he becomes a founding figure of modern day Mexico.
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Bran Nue Dae
In the Summer of 1965 a young man is filled with the life of the idyllic old pearling port Broome – fishing, hanging out with his mates and his girl. However his mother returns him to the religious mission for further schooling. After being punished for an act of youthful rebellion, he runs away from the mission on a journey that ultimately leads him back home.
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A Brand New Life
Young Jin-hee is taken by her father to an orphanage near Seoul. He leaves her there never to return, and she struggles to come to grips with her fate. Jin-hee desperately believes her father will come back for her and take her on a trip.
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Hurt
There are terrible things happening in the desert…unexplainable, frightening things. Tragic, inexplicable incidents… ever since she arrived.